She was always in the room
© Ronnie HaranIt started with a camera at five
Born Ronnie Rosenthal on August 9, 1939, she grew up between Brooklyn and Manhattan. Her father put a camera in her hands at five, and the two of them cut his home movies together.
At ten she was made head of the first March of Dimes "Mothers' March on Polio" for the Borough of Manhattan. The drive raised more than $3 million and put her in The New York Times. At fifteen she finished high school and left for Boston University to study theatre.
Hollywood cast her. She kept shooting
She played Sparrow opposite Rock Hudson, Gina Lollobrigida, Sandra Dee and Bobby Darin in Come September. Between takes, her camera came out. The people on set became her first subjects.
Film and Television Credits
© Ronnie HaranTelevision, guest starring
- Naked City Ethel, 1959
- Bachelor Father Ellen Burton, 1959
- The Many Loves of Dobie Gillis Whitney, 1960
- The Untouchables Tessie Bousso, 1960
- Ben Casey Abilene Hopewell, 1962
- Cheyenne Mary DeLieu, 1962
- Death Valley Days Natalie McAllister, 1962
- Wide Country Cally, 1963
- My Three Sons Dottie, 1964
- The Fugitive Sue-Ann Creyton, 1964
- The Munsters Her, 1965
Film
- Come September Sparrow, 1961
- The Stoolie Hertz Girl, and still photographer, 1972
She rewired the Sunset Strip
In 1965 Elmer Valentine hired her to do publicity for a struggling club called the Whisky a Go Go. She pushed for a kitchen so teenagers could get in, sold the plan to City Council, commissioned a psychedelic new logo and turned the room over to live rock.
A week. Her starting pay as assistant publicist.
Weeks until she ran publicity for the whole club.
The new door age. A kitchen dropped it from 21 and filled the room.
She found The Doors
She caught them at the London Fog the night they got fired. A week later they auditioned at the Whisky a Go Go in West Hollywood, California.
First night as the house band, on a bill with Captain Beefheart and Buffalo Springfield.
They shared the stage with Love, Them and The Turtles. She got them into the musicians union, Local 47.
A Hullabaloo Club contract for $300. Signed by Robby Krieger, and by Ronnie, listed as agent.
The first woman to manage a rock band
© Ronnie Haran
© Ronnie HaranWe just want to be as big as Love.The Doors, to Ronnie, 1966
She signed Love and The Doors on a handshake, then rehearsed them, fought for their gigs and stood her ground in a room full of men who later took the credit.
Her photographs landed on the back of Love's Forever Changes in 1967. A year later she shot the cover of The Gentle Soul.
© Ronnie HaranStill in the room
Nearly sixty years later she is still backstage at the Whisky a Go Go, here with Robby Krieger of The Doors.
The archive is still talking
Photographs, contracts, magazines and recollections, with faces still being identified. Ronnie keeps a collection of more than 1,500 albums and the stories behind them.
Her archive runs to more than half a million images. This site shows a handful. A private selection, never shown before, sits in The Vault, open only to approved professionals under an NDA.
© Ronnie Haran